AFO Solo Shorts

Round 2

Veronica Barron



VERONICA BARRON creates physically exuberant visual theatre, using puppetry, dance, clown, music, and the human body. Her current works, Be Clean When We Die and Sound Shadows, blend shadow puppetry, dance, and traditional and original Americana music, and have earned support from the Casteliers Festival (Montreal), Maison Internationale des Arts de la Marionnettes (Montreal), Les Sages Fous (Trois-Rivieres, QC), Central Square Theater (Cambridge, MA), Puppet Showplace Theater (Brookline, MA), Dance Complex (Cambridge, MA), the Montreal and Cambridge Arts Councils, and the Apollinaire Theater/The Boston Foundation. Veronica tours domestically & internationally as a puppeteer for acclaimed DJ Kid Koala’s Nufonia Must Fall, which combines puppetry, live cinema, scratch DJing, and a string quartet to create a quirky, emotional love story. As an actor, Veronica specializes in new work development, and has appeared in world premieres with the Huntington Theatre Company, imaginary beasts, Fresh Ink Theatre, and others. A longtime collaborator with Liars and Believers, she helped create Who Would Be King and ICARUS, for which she was praised as “the cast’s best voice” (Scott Heller, New York Times). Veronica holds a BFA in Theatre from Boston University, where her studies included visual & choreographic theater, classical Indian dance-theater, clowning, and playwrighting.

Jody Christopherson


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JODY CHRISTOPHERSON is a New York based generative artist and the Artistic Director of the so-fi festival. Her mediums include; theater performance, playwrighting, music/foley, photography, film, curation and theater production. Reviewers have called her a "visionary in the theater world and legendary storyteller", who is "a talent to watch, not to mention a pleasure to hear”. Her work has been performed in 28 cities in 6 countries, including Canada, Detroit, New Orleans, Key West, Orlando Miami, Amsterdam, Germany, Lithuania, Australia, New York. She has been producing and co-producing her work since 2004 in America and abroad. Recent projects include: St Kilda (writer/performer), AMP, (writer/performer), Greencard Wedding, (writer/performer/

filmmaker), Because You Are Good. Publications include:  The New York Theatre Review, (Creator/ Editor and Chief since 2011), The Huffington Post, the New York Times, Yale Press, Bored Panda, Howlround, American Theater Magazine, TCG and the Climate Change Theater Action Anthology. Ms. Christopherson is the recipient of an Indie Theater Fund Emergency Grant 2019, the 2017 New York Society Library Grant for emerging female writers underwritten by Alexander Sanger, All for One’s So-Co Residency (2017), The LIT Fund Grant 2014.  Speaking/ teaching engagements include The Orchard Project, Mason Gross School of the Arts and New York Mensa.

Tanya Everett

Thousand miles


TANYA EVERETT (Playwright/Performer) moved from Mass to Brooklyn to pursue her career as an actor and writer. Her plays have been performed in many Off and Off-off Broadway venues: including the Public, Cherry Lane, HERE Arts Center, TheaterLab, Kraine, Cherry Pit and the Tank. Her play And The Gods Walk Among Us was named Semi-Finalist for the Princess Grace Award and Finalist for the Lark Development Week. Her play, A Dead Black Man, was a Finalist for the Dramatist Guild Fellowship in 2019.  She recently graduated from Brooklyn College, under Mac Wellman and Erin Courtney. She won the AAUW Career Development Grant, the Truman Capote Scholarship, and the 2018 MFA in Playwriting Awards to support her academic pursuits. She was named an Alternate for the Djerassi Resident Artist Program in California. Some of her teachers and mentors include: Stephen Adley Guirgis, Ellen McLaughlin, Maggie Flanigan, and Julia Jordan.​

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RAZ GOLDEN (Director/Editor) is a director of theatre, film, and voice over. He is a Resident Director at The Flea, a member of the Roundabout Directors Group (Cohort 2), and was the 2019 Drama League Classical Directing Fellow.  His current work focuses on new and classical texts, as well as narratives that explore shared cultural histories and myths and that center people of color. He has developed work with The National Black Theatre, The Public Theatre, NYU Tisch, Hudson Valley Shakespeare Festival, Waterwell, Dixon Place, and McCarter Theatre.

Gina Femia

my pierced ears

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GINA FEMIA (Playwright/Performer) work has been seen/developed at MCC Theater, Playwrights Horizons, EST, The Flea, Page 73, CTG, Theater of NOTE, Panndora Productions, among others. Plays include ALLOND(R)A (2019 Kilroys List, Winner: Leah Ryan Prize, Runner-up, Yale Drama Prize), THIS HAPPENED ONCE AT THE ROMANCE DEPOT OFF THE I-87 IN WESTCHESTER (2019 Kilroys List Honorable Mention), We Are a Masterpiece (Winner: The Doric Wilson Award, Stage Rights publishing), The Mermaids' Parade (Finalist, American Blue Ink Award, Semifinalist, The Relentless Award, Finalist, Princess Grace Award). Gina is the 2020 Otis Guernsey New Voices award winner, a 2019-2022 Core Writer with the Playwrights Center, the 2019 Parity Commission Winner and a 2019-2020 member of Ingram New Plays Lab & Parsnip Ship's Radio Roots writer's group. She is an Alum of EST Youngblood, Page73's Interstate 73, Pipeline Theatre’s PlayLab, New Georges' Audrey Residency and Project Y's Writer's Group. Gina’s a New Georges Affiliated Artist and has received residencies with Page73, Powerhouse, NTI at the O’Neill, SPACE on Ryder Farm, and Fresh Ground Pepper. MFA, Sarah Lawrence College (Lipkin Prize in Playwriting).  

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Freddy Padilla (Photographer/Animator/Video Editor) is a Brooklyn native who is a photographer, artist and major pop culture geek.  He has collaborated with his wife, Gina, as dramaturg on a few of her plays (ALLOND(R)A, For The Love Of).  After working at The Drama Bookshop for two decades, he still has a great love of theater and designs theater inspired t-shirts.  Wepa! 

Nela Fortunato

Latitude Solitude

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NELA FORTUNATO is a Latin American Actress-Singer-Director. She is part of the Buenos Aires based physical theatre company La Monstruosa, which creates performances through dance, voice, puppeteering and has been part of Mucho Gustok Festival (2016/17/18/20 editions). She is also part of Usted Está Aquí Company: a creative ensemble, exploring site-specific and immersive pieces: Usted está aquí (2012-15); Rrom, a gypsy wedding (2016-18); La Subasta (2019). Since Covid19 quarantine, she has developed a version of her show Dora Lemer for online streaming video for @MicroteatroBA and a radio version for Tsunami Escénico Radio Show; created a short film called P.E.E.L.E, soon to be released on insta @Espacio Salvo as well as collaborated with British artist Lydia Stevens on the online piece: JJOO 2020. As a director, she gave life to the French author Chantal Thomas’ play Incrustations; by working with masks and original paintings and music. In 2019 she created a one to one piece inside a tent: A la Carte!, with which she toured London, Athens and Spain, where she closed the Short Film Festival: ​Luna de Cortos​ with her movement piece Syris, based on Russian Folk stories. She graduated from Andamio 90 Drama College in Buenos Aires, completed the post graduated course at London International School of Performing Arts (2009/11) and co-funded International Lyrebird Theatre Co.

Thanks to Giverny Petitmermet's sharp eyes and AFO.

Nathan Gebhard

cityDANCE 03 - Brooklyn

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NATHAN GEBHARD (Creator/Performer) is an interdisciplinary performance artist based in Brooklyn, hailing from north woods of Minnesota. He creates art to breath, listen, to celebrate and mourn, and to commune. journalDANCE is a series of visual journal entries that began in 2016 and has become a staple in his artistic practice. New York credits include ​The Unrepentant Necrophile ​(HERE, IRT Theater, Cloud City) and ​Saint Ex​ (So-fi Festival at Torn Page). He has also tours nationally with TigerLion Arts' ​Nature. ​Check out  for more information and previous entries in the journalDANCE series.



RHYS TIVEY (Music) is a singer, multi-instrumentalist, songwriter, and producer. He grew up on a small horse farm in the woods of upstate New York. His newest solo album, "Unsteady," is available on Spotify, Bandcamp, etc. Follow on IG @rhystivey or join the mailing list at

Charles Gershman



CHARLES GERSHMAN (Playwight) is a queer playwright/TV writer. He is a Dramatists Guild Foundation Playwriting Fellow, a 2019 Chesley/Bumbalo Playwriting Award winner, and a 2019 Relentless Award Semifinalist. Recent work has been produced or developed with The New Group, The Flea, 59E59 Theaters, Theatre503, and the American Playwriting Foundation and published by Oberon Books. He received his MFA from NYU-Tisch in 2018.


WILLIAM STEINBERGER (Director) has developed new plays at Hartford Stage, the Drama League, Berkshire Theatre Group, New Light Theatre Project, the Wilma, 59E59, The Flea, The Tank, Bethany Arts Project, Judson Church, Passage Theatre, Czech Center NYC, Theatre Horizon, InterAct, FGP, Uglyrhino and several universities. He is Artistic Director of InVersion Theatre and his dramaturgy has been featured in The Wall Street Journal. Will produced Andy Bragen’s Notes on My Mother’s Decline for PlayCo/ABTP at NYTW Next Door. He is a Resident Director at the Flea, past MTC Directing Fellow and member of the Lincoln Center Theater Directors Lab.


EDDIE COOPER (Performer) At Classic Stage Company: The Cradle Will Rock and The Resistible Rise of Arturo Ui. Encores! Off Center: Promenade, Assassins, God Bless You Mr. Rosewater and Little Shop of Horrors. Atlantic Theater Company: This Ain't No Disco.   Two River: All-male A Funny Thing Happened on the Way to the Forum. TV: “Forever,” “Mozart In The Jungle,”  “Banshee”, and HBO’s “The Night Of.” Thanks to my family and friends for their love and support. @MrEddieCooper 

KAtie MElby

Hortice Welcomes the Day